Coldplay - Clocks (piano awning with keyboard)

!±8± Coldplay - Clocks (piano awning with keyboard)

Coldplay - Clocks (piano cover with keyboard) A Rush Of Blood To The Head Play with ear no sheet Midi for background music is taken from www.findmidis.com

Coldplay - Clocks (piano awning with keyboard)

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How To Play The Piano With Expression - Part 1

!±8± How To Play The Piano With Expression - Part 1

This article will hopefully give the piano student a better idea of how to acquire the knowledge, which is necessary if the piano student wants to play the piano well. That is the knowledge to produce a good tone.

It is necessary for the piano student to observe, and learn fully and precisely, as much of the mechanism of the piano as possible. It is only with careful study that a scientific knowledge of piano-touch can be attained. No piano student, however musically gifted they may be, can, in these days of "higher development," afford to depend solely on the aesthetic side of his nature for the cultivation of his technique.

If the technical study of the piano is approached in a spirit of calm inquiry, there is no reason why a study of the piano should not brace the mental system of the student, and do him as much good as would a careful study of grammar or geometry. And although this technical study is not sufficient of itself to make an artist, still the benefit derived from it will be always at hand to help the piano student unravel many difficulties which otherwise could cause a great deal of frustration, and would slow the learners progress.

Of all musical instruments, the piano is perhaps the one, which a player can, quite easily misuse. The pianist has an almost unlimited freedom of movement for the body, arms, and hands; and the instrument imposes few conditions to its use. Therefore, it is necessary for the student to have a knowledge:

(1) of the correct use of his limbs,

(2) of how to use correctly the mechanism peculiar to the piano, and

(3) of how to adapt the one exactly to the other, before he can acquire an un-exaggerated style of playing.

It is unfortunately a commonly accepted idea that the piano, like the organ, is dependent for its quality of tone on the manufacturer alone, and that "Broadwood" or "Bechstein," as the case may be, is wholly responsible for the kind of sound, which the player produces. And parallel with this opinion runs the generally accepted one that touch, or, the method of producing correct tone, cannot be taught, and is entirely a "gift."

When a great pianist plays, there is a beauty, delicacy, and richness of tone in what the piano player produces. This is usually thought to piano players touch being born with the player. Or to the fact that his fingers have been for so many years never off the keys, or to his large hands, or long fingers. Or to some other qualification possessed only by pianists of similar rank, and quite out of the reach of less gifted players.

In examining the question of how one may learn to produce good tone, the following fact should offer a foundation for observation and reasoning, that is to say, that both the great artist and the poor player have one common field of action in the external mechanism of the piano, that is, its Keyboard.

The great artist and the poor player may both be seen at work, and notes may therefore be taken of their different methods of using the means given them for the production of tone. The hands of both obey the same primary laws of muscular movement and the piano, is a keyboard instrument that will reproduce accurately what is being played on it, good or bad, and no respecter of who is playing. It is simply the acted-upon, and not the agent.

When therefore the great artist is seen to use his hands differently from the poor player. The reason of the different character of the tone must partly be that the method of touching the instrument is different. Part of the reason lies, of course, in the fact, that the great piano player starts with a greater degree of musical talent than the poor piano player does.

But as this article discusses not so much musical feeling itself, but rather the expressing of musical feeling, and as it is very evident that the great piano player does use the hand differently from the poor piano player.

How To Play The Piano With Expression - Part 1

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Review - Yamaha CP33 Stage Piano

!±8± Review - Yamaha CP33 Stage Piano

The Yamaha CP33 Digital Stage Piano is the entry digital piano in Yamaha's professional stage piano lineup. This is basically the same piano as the Yamaha CP300 but about 00 cheaper. The CP33 is a large step up from the P-series units in both sound and feel.

This piano is perfect for a professional gigging musician or an amateur that wants a serious digital piano. Let me cut to the chase - the sound is vibrant, sparking and authentic. You can actually hear harmonic overtones and felt dampers when using the pedal. I had the privilege of finding one for sale at my local music store (these pianos are hard to find) and the sound was so sweet and inspiring I had to drag myself away from the keyboard.

Not only does a piano have to have a magical sound that will inspire you to keep playing it also needs to be responsive to your fingers. Well let me tell you, the CP33 feels great. This piano has impressive keyboard action that really lets you express yourself thanks to their advanced Graded Hammer Effect technology that gradually increases the resistance of the keys as you hit the lower notes. As a serious musician realistic piano action is very important to me and the Yamaha CP33 gets top marks here.

All in all, the Yamaha CP33 stage piano is a very balanced digital piano suitable for the professional musician. Sure there are many fine digital pianos out there that cost less but if you can afford it, it's truly worth the few extra hundred bucks -- you'll thank me in the long run.

The CP33 is one classy digital piano for the serious pro musician and the amateur alike. This keyboard is an investment that you'll never regret.

Review - Yamaha CP33 Stage Piano

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Yamaha DGX-530 Keyboard, 88 Full-Sized Lightly Weighted Piano Style Keys

!±8±Yamaha DGX-530 Keyboard, 88 Full-Sized Lightly Weighted Piano Style Keys

Brand : Yamaha
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Price : $489.99
Post Date : Sep 28, 2011 20:21:28
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All the best sounds are available at the push of button and recording virtuoso performances is simple with built in recorder. The Yamaga DGX530 features 88 Graded Soft Touch keys. The Yamaha Education Suite and USB connectivity (USB to Device) add functionality. 88 Graded Soft Touch keyboard Acoustic, super-expressive Live!, Cool! and Sweet! Voices (127 + 361 XGlite + 12 Drum/SFX Kits) Easy Song Arranger feature and Performance Assistant Technology USB connection for convenient storage and song data playback Pitch bend wheel to add smooth pitch variations to notes played 6 recordable tracks, 5 recordable songs 32 note Polyphony Master EQ, Reverb and Chorus Effects Graded Soft Touch Keyboard Just as on an actual piano, the lower keys are heavy in touch and the higher keys are light, with soft touch of digital keyboard for beginners. Amazingly Realistic Sounds Yamaha's highly acclaimed Sweet! and Cool! Voices deliver incredibly natural and dynamic sound. Use the Pitch Bend wheel, and hear these Voices--especially the Sax and Trumpet--truly come alive! Live!, Cool! and Sweet! Voices A huge palette of acoustic and electronically amplified instrument sounds. A blend of long, stereo and multi-layered samples is used to fully capture the natural presence, resonance, expression and vibrato of the real instrument. Easy Song Arranger In addition to each song's default style, you can select any other style to play the song with the Easy Song Arranger feature. This means that you can play a song that is normally a ballad, for example, as a bossa nova, as a hip-hop tune, etc. You can create totally different arrangements by changing the style with which a song is played. You can also change the song's melody voice and the keyboard voice for a complete change of image. Performance Assistant Technology (P.A.T.) Play along with a song on the instrument's keyboard and produce a perfect performance every time ... even if you play wrong notes! All you have to do is play on the keyboar

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E-Pianos Versus electronic keyboards and synthesizers

!±8± E-Pianos Versus electronic keyboards and synthesizers

An electric piano is, like its name, an electronic device capable of producing sounds can be understood only as a piano. It's basically a tool such as a keyboard, with the difference that reproduced in any electronic keyboard sounds a lot, which is under the piano to be present, but the electric version you can play only the sound of the piano may seem. And 'particularly well to produce a single sound, designed for. But today, these tools can also playSound of a body. The harpsichord is another instrument whose sound is often produced.

The brand name of the first electric piano, the Wurlitzer for their instruments, which were powered by electricity coming from. However, the electronic keyboard that speaks very differently than that. This use of analog circuits for the function. To explain something clearly, there are analog synthesizers that these keyboards. These then produce sounds through a series ofOscillators. The old man had a mechanical sound up-to-one and sometimes uses pickups to produce sound. A Fender Rhodes is a good example.

Many e-pianos, which are used in these days are very long time. These were usually late seventies, and many of the keyboards have been developed in Italy products. But there is an exception, because the U.S. had produced a couple in 1967. The RMI-US companies produced them until 1980, and then stopped production.This is because by this time professional musicians used electric piano, but after 1980 with the advent of electronic keyboards, synthesizer, were ignored, and people took to the synthesizer.

However, there were some technical reasons for the disposal of the piano. Most of the keyboards were not real sensitive to touch and speed modulation of tone was not possible. The electronic keyboard on the other hand, were more options and you could see the depth of changeThe note to the pressure tap on the keys. Therefore, electric pianos only occasionally become obsolete, but still a great sound.

E-Pianos Versus electronic keyboards and synthesizers

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